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about

“Cold Blue Two" is an anthology of fourteen previously unrecorded works (many of them written just for this album). Music by composers John Luther Adams, Gavin Bryars, Rick Cox, Michael Jon Fink, Jim Fox, Peter Garland, Daniel Lentz, Ingram Marshall, Read Miller, Larry Polansky, David Rosenboom, Phillip Schroeder, Chas Smith and James Tenney. (Featuring such performers as Sarah Cahill, Guy Klucevsek, ETHEL, Formalist Quartet, John Schneider, Erika Duke-Kirkpatrick, and many other fine musicians, including a number of the composers themselves. ) It’s a sequel to the label’s celebrated "Cold Blue" anthology, which San Francisco’s Other Minds founder Charles Amirkanian called “a classic anthology of American new music.”

REVIEWS OF "COLD BLUE TWO":

“Darkly lyrical, evocative…. Whether plaintive, hypnotic, or enigmatic, this is music that is cool but not unemotional—and always a rich, twilit blue.” —John Schaefer, host of WNYC’s New Sounds

“This record pretty much kicks ass—an alluring, arresting document from a brilliant cast of composers..” —Glenn Kotche, composer and drummer for Wilco

“Stellar.” —Alex Ambrose, Q2 Music producer, WQXR

“The music by Daniel Lentz that opens this anthology, a solo cello line harmonically enriched through overdubbing, is graceful, understated and tinged with melancholy. The closing piece, Jim Fox’s filmic Colorless sky became fog, shares those qualities. They seem to define a Cold Blue soundworld, although these 14 previously unissued tracks…accommodate diverse and individualistic composers…. This is a post-experimental label, presenting work that subtly channels lessons learnt from radical sources into music that is unapologetically attractive and accessible. —Julian Cowley, The Wire magazine

“Superb… music that exemplifies refinement without at the same time being overly burdened by formality and convention.” —Textura (Cold Blue Two was on Textura‘s “Best of 2012” list.)

“Listen closely: there is almost always a sharp edge hidden among these glistening surfaces…. The most casual listen to this haunted music-box, as often eerie or melancholy as it is soothing, is an unsettling experience, a quiet disquiet. Cold Blue the label and Cold Blue the anthologies are aptly named: cold and like a glacier or a clear winter sky, this music is as shiver-inducing as it is lovely.” —Daniel Stephen Johnson, Q2 Music, WQXR

“A finely balanced and judiciously contrasted collection…a sampler that confirms the tradition of American experimental music to be alive, well and in safe hands. —Richard Whitehouse, Int’l Record Review

“This marvelous CD assembles 14 works by contemporary composers…. While many of the composers here have roots in the experimental tradition, the pieces on this disc are fiercely consonant and infused with unique orchestrations and electronic processing…. Essential!” –Gino Robair, Electronic Musician magazine

“A panoramic view of Cold Blue’s offerings, which are quite varied and yet make a powerful unified statement. These works could be described as beautiful oddities—some even devastatingly gorgeous, but always with a twist. Even if unapologetic beauty is not your cup of tea, worry not—upon close listen each one of these works sports frayed edges, chipped corners, or other subtle disturbances that turn it into a highly personal proclamation…. Many are haunting, but not at all cold or alienating; this is music for friendly ghosts. Each work contains treasures to be discovered within, and the heart-on-sleeve honesty of the works is not something one hears often.” —Alexandra Gardner, NewMusicBox

credits

released November 13, 2012

Erin Barnes, Partch diamond marimba
James Bergman, double bass
Sarah Cahill, piano
Jessica Catron, cello
Rick Cox, electronics/samples and electric guitar
Theresa Dimond, hammered dulcimer
Erika Duke-Kirkpatrick, cello
ETHEL string quartet
Alma Lisa Fernandez, viola
Michael Jon Fink, electric guitar
Formalist Quartet
Alex Iles, alto, tenor, and bass trombones
Guy Klucevsek, accordion
Clement Marshall, classical guitar
Ingram Marshall, electronic processing
Thomas Newman, piano
Phil O’Connor, clarinet
Bryan Pezzone, piano
John Schneider, voice and just-intonation National steel guitar
Phillip Schroeder, celesta and digital delay
Chas Smith, Hammond organ and steel guitar
Marty Walker, clarinet
Brian Walsh, clarinet

Album produced by Jim Fox
Mastered by Scott Fraser, Architecture, Los Angeles
Design: Jim Fox

This project was partially funded by a grant from the Aaron Copland Fund for Music, Inc.

Photographs courtesy of and used by permission of Center for Land Use Interpretation,
Museum of Jurassic Technology, Santa Paula Snapshot Museum, Jim Fox, and anonymous.

All compositions © by their respective composers
CD p & © 2012 Cold Blue Music

Cold Blue Music, P.O. Box 2938, Venice, CA 90294-2938
www.coldbluemusic.com

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Cold Blue Music Los Angeles, California

Cold Blue has been an intrepid new music source for years. “There is a very small group of labels that offers up a transcendent experience every time …. Cold Blue Music is one of them.” (Fanfare) “A label devoted to the post-Minimalist, immersive LA sound (whether the composers happen to be Angelenos or not).” (Los Angeles Times) “Home to many a musical treasure.” (Late Junction, BBC3) ... more

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